Blog Post

Peter Goodfellow's Perspective

Kate Downes • 28 June 2021

Peter Goodfellow is one of the best-known and most widely collected artists featured at the Watson Gallery. And, with a selection of his new releases on display, we have seen an ever-growing interest in his expressive, vibrant takes on the Scottish landscape.

rannoch moor landscape by scotland-based artist peter goodfellow
As well as being one of the UK’s most established landscape artists, Peter is known in wider art circles for his academic and critical work, as well as his writing.

In 2015, Peter made headlines with his “Anti-Turner Prize” exhibition and book. The exhibition was part of Peter's critique of what he felt was a growing trend of popularising conceptual art at the expense of traditional artistic skill.

Peter’s book, the Treason of the Scholars, expounded on this idea, with a selection of essays from authors such as David Starkey, Roger Scruton, and Duncan MacMillan. The response to the book has shown just how many people found something to relate to in its ideas, resonating with the frustration Peter expressed against the cynical, commercial and politicised side of the art world.

mullan an rathan original artwork of scottish landscape by peter goodfellow

“This [art] scene has resulted in the modern public's alienation from contemporary art as the concept of art as a mode of communication and reflection of society has been almost lost.

 

"Traditional skills in the field of art have also suffered… Artistic craft, learning, content and judgement have each been compromised by commercialism, cynicism and politics.

 

“We need a revival of an art with an ambition to communicate, as profoundly and elegantly as it can, with everyone."  (Peter Goodfellow in an interview with Herald Scotland.)

fisherfield autumn sunset landscape artwork by peter goodfellow

The topics in the Treason of the Scholars, along with Peter’s accompanying interviews and artworks, are still being debated to this day – and while not everyone will agree with Peter’s sentiments, it is fascinating to read into his understanding of his own audience, and of the public view of contemporary art.

 

Of course, Peter’s depth of knowledge and understanding of technical skill are much more than an academic argument. His artwork demonstrates both high levels of technical aptitude and a deep appreciation for the emotive side of art. We have been able to see this up close at Watson, as his colourist landscapes are constant sources of admiration and discussion from our visitors... both for the skill behind the work, and the intention of the artist.


We hope that this hits the 'sweet spot' between academic appreciation and enjoyment of the craft!


You can see more of Peter's art here. Get in touch with us here at the gallery for details about his work or to book a viewing.

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